Katherine covers the role of Grace Anssley in the world premiere of Roman Fever, Louis Karchin's new one-act opera with a libretto by Joan Ross Sorkin. The performance will take place in concert at Merkin Hall on Sunday, Nov. 22 at 4:00 PM. Tickets may be reserved through the Merkin Hall box office.

The 21st Century Consort presents: Time Stands Still, a celebration of diverse works, culimating in a performance of Steve Reich's Music for 18 Musicians. This concert takes place at the Arts and Industries Building in Washington DC.

As part of the Music in the Nave series, Katherine sings the alto solos in Part I of Handel's Messiah, under the baton of James Sinclair.

Katherine joins the Argento New Music Project, performing Miles Walter's "Cogito Songs," five songs for mezzo and ensemble, three of which are premieres. Also on the program, premiere arrangements of Schoenberg's Erwartung and Verklärte Nacht.

As part of the inaugural cohort of Young Artists with Brooklyn Art Song Society, Katherine and her fellow soloists perform a diverse concert of repertoire from the BASS season.

Returning to her native Park Slope, Katherine performs Ravel's "Chansons madécasse" and Robert Sirota's "Hafez Songs," alongside baritone, Nathaniel Sullivan.

A professional octet member at Madison Avenue Presbyterian since 2024, Katherine sings the "Israelitish Woman" in Handel's Judas Maccabaeus as part of the Music on Madison series.

Katherine performs the mezzo-soprano solos in Karl Jenkins,' “The Armed Man: A Mass for Peace,” in Northborough, MA. She joins the Assabet Valley Mastersingers, conducted by Robert Eaton.

The final concert for Brooklyn Art Song Society's cohort of Young Artists for the 2026-2027 season. Katherine will perform Debussy's Chansons de Bilitis and Beethoven's An die Ferne Geliebte.